>
>Dear Mr. President,
>
>There's about 40 million people over 50 in the work force; pay them $1
>million apiece severance pay with three >stipulations: >
>1) They resign their jobs. Forty million job openings -
>Unemployment fixed. >
>
>2) They buy NEW American cars. Forty million cars ordered -
>Auto Industry fixed. >
>3) They either buy a house or pay off their mortgage-
>Housing Crisis fixed.
>
>
>All National financial problems fixed !!!
>
>Total cost: 1 Trillion dollars. >This is LESS than has been spent already on the "Fix"
>
> >
> >
>
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Date: March 23, 2009 11:53:10 AM GMT-04:00Subject: The Dead Weather [new Jack White] - 2009 SingleSource: bolachas grátis.Author: bolachisgratistrackist:
1. “Hang You from the Heavens” (Mosshart/Fertita) - 3:39
2. “Are Friends Electric?” (Gary Numan cover) - 4:26
The Dead Weather are a band comprised of
Jack White (The White Stripes / Raconteurs),
Alison Mosshart (The Kills),
Dean Fertita (Queens of the Stone Age) and
Jack Lawrence (Raconteurs / Greenhornes).The group’s lead single, “Hang You From The Heavens,” rolls by with a harder, snarling guitar, and a grind that offers up the perfect soundtrack for a two-day tequila binge. The song’s b-side is an oddball compared to “Heavens,” for it’s a churning cover of Gary Numan’s “Are Friends Electric?” that is plastered in reverb and sounds a bit like the Raconteurs—had the band been around in the mid-1960s. A full length release called “Horehound” is expected for June.
thedeadweather
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Date: March 20, 2009 9:09:55 AM GMT-04:00Subject: Bela Fleck - Throw Down Your Heart, Tales from the Acoustic Planet, Vol. 3: Africa Sessions [2009]Source: bolachas grátis.Author: bolachisgratis
trackist:
1. Tulinesangala - Bela Fleck with Nakisenyi Women’s Group
2. Kinetsa - Bela Fleck with D’Gary
3. Ah Ndiya - Bela Fleck with Oumou Sangare
4. Kabibi - Bela Fleck with Anania Ngoglia
5. Angelina - Bela Fleck with Luo Cultural Association
6. D’Gary Jam - Bela Fleck with D’Gary, Oumou Sangare and friends
7. Throw Down Your Heart - Bela Fleck with Haruna Samake Trio and Bassekou Kouate
8. Thula Mama - Bela Fleck with Vusi Mahlesela
9. Wairenziante - Bela Fleck with Muwewesu Xylophone Group
10. Buribalal - Bela Fleck with Afel Bocum
11. Zawose - Bela Fleck with Chibite - The Zawose Family
12. Ajula / Mbamba - Bela Fleck with The Jatta Family
13. Pakugyenda Balebauo - Bela Fleck with Warema Masiaga Cha Cha
14. Jesus is the Only Answer - Bela Fleck with Ateso Jazz Band
15. Matitu - Bela Fleck with Khalifan Matitu and Fadhili Bbata
16. Mariam - Bela Fleck with Djelimady Tounkara and Alou Coulibazy
17. Djorolen - Bela Fleck with Oumou Sangare
18. Dunia Haina Wema / Thumb Fun - Bela Fleck with Anania NgogliaFour years ago the banjoist Bela Fleck went to Africa with an agenda. He had long been intrigued by his instrument’s ancestral history there; he had also been gripped by the transcendent voice of Oumou Sangare, the queen of Malian Wassoulou music. His journey resembled fieldwork in the sense that he was traveling with a recording engineer and film crew. But he also had his banjo and an urge to bridge musical divides.
Mr. Fleck tends to make that task look easy whether he’s working with his bluegrass- fusion band, the Flecktones, or crossing paths with jazz and classical artists. Traditional African music turns out to suit him beautifully, though some interactions on Throw Down Your Heart, the album inspired by his journey, feel more effortless than others. (An engrossing documentary film of the same name reveals the actual effort involved; it will be screened in San Francisco beginning next week, and in New York next month.)
Two imploring songs with Ms. Sangare and her band, recorded at a studio in Mali, exude a serene professionalism. (On one, “Ah Ndiya,” the kora master Toumani Diabate plays lilting obbligato.) A similar undercurrent runs through one track with the guitarist Afel Bocum, and a handful that Mr. Fleck recorded in the United States with the South African singer- songwriter Vusi Mahlasela and the Madagascan guitarist D’Gary.
But the heart of the album is the field material, which takes many forms.
allaboutjazz
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Date: March 20, 2009 11:01:21 AM GMT-04:00Subject: Radiohead - ReissuesSource: bolachas grátis.Author: masterbates
ARTiST: Radiohead
ALBUM: Pablo Honey
BiTRATE: 190kbps avg
QUALiTY: EAC Secure Mode / LAME 3.97 Final / -V2 –vbr-new / 44.100Khz
LABEL: Parlophone
GENRE: Rock
SiZE: 164.65 megs
PLAYTiME: 1h 54min 10sec total
RiP DATE: 2009-03-20
STORE DATE: 2009-03-20
Track List:
——–
Disc #1/201. You 3:28
02. Creep 3:55
03. How Do You? 2:12
04. Stop Whispering 5:25
05. Thinking About You 2:41
06. Anyone Can Play Guitar 3:37
07. Ripcord 3:09
08. Vegetable 3:12
09. Prove Yourself 2:25
10. I Can’t 4:13
11. Lurgee 3:07
12. Blow Out 4:42Disc #2/201. Prove Yourself (Demo) 2:33
02. Stupid Car (Demo) 2:25
03. You (Demo) 3:24
04. Thinking About You (Demo) 2:15
05. Inside My Head 3:11
06. Million Dollar Question 3:18
07. Yes I Am 4:25
08. Blow Out (Remix) 4:18
09. Inside My Head (Live) 3:05
10. Creep (Acoustic) 4:18
11. Vegetable (Live) 3:08
12. Killer Cars (Live) 2:14
13. Faithless, The Wonderboy 4:13
14. Coke Babies 2:59
15. Pop Is Dead 2:12
16. Banana Co. (Acoustic) 2:26
17. Ripcord (Live) 3:15
18. Stop Whispering (US Version) 4:11
19. Prove Yourself (BBC Radio One) 2:28
20. Creep (BBC Radio One) 4:02
21. I Can’t (BBC Radio One) 3:55
22. Nothing Touches Me (BBC Radio One) 3:49
ARTiST: Radiohead
ALBUM: The Bends
BiTRATE: 189kbps avg
QUALiTY: EAC Secure Mode / LAME 3.97 Final / -V2 –vbr-new / 44.100Khz
LABEL: Parlophone
GENRE: Rock
SiZE: 174.79 megs
PLAYTiME: 2h 02min 39sec total
RiP DATE: 2009-03-20
STORE DATE: 2009-03-20
Track List:
——–
Disc #1/201. Planet Telex 4:19
02. The Bends 4:06
03. High And Dry 4:17
04. Fake Plastic Trees 4:50
05. Bones 3:09
06. (Nice Dream) 3:53
07. Just 3:54
08. My Iron Lung 4:36
09. Bullet Proof… I Wish I Was 3:28
10. Black Star 4:07
11. Sulk 3:43
12. Street Spirit (Fade Out) 4:14Disc #2/201. The Trickster 4:42
02. Punchdrunk Lovesick Singalong 4:41
03. Lozenge Of Love 2:17
04. Lewis (Mistreated) 3:20
05. Permanent Daylight 2:49
06. You Never Wash Up After Yourself 1:44
07. Maquiladora 3:26
08. Killer Cars 3:03
09. India Rubber 3:26
10. How Can You Be Sure? 4:22
11. Fake Plastic Trees (Acoustic) 4:41
12. Bullet Proof… I Wish I Was (Acoustic) 3:35
13. Street Spirit (Acoustic) 4:25
14. Talk Show Host 4:41
15. Bishop’s Robes 3:25
16. Banana Co. 2:21
17. Molasses 2:27
18. Just (BBC Radio One) 3:45
19. Maquiladora (BBC Radio One) 3:30
20. Street Spirit (Fade Out) (BBC Radio One) 4:21
21. Bones (BBC Radio One) 3:02
ARTiST: Radiohead
ALBUM: OK Computer
BiTRATE: 185kbps avg
QUALiTY: EAC Secure Mode / LAME 3.97 Final / -V2 –vbr-new / 44.100Khz
LABEL: Parlophone
GENRE: Rock
SiZE: 159.28 megs
PLAYTiME: 1h 53min 58sec total
RiP DATE: 2009-03-20
STORE DATE: 2009-03-20Track List:
——–
Disc #1/2:01. Airbag 4:44
02. Paranoid Android 6:23
03. Subterranean Homesick Alien 4:27
04. Exit Music (For A Film) 4:24
05. Let Down 4:59
06. Karma Police 4:21
07. Fitter Happier 1:57
08. Electioneering 3:50
09. Climbing Up Walls 4:45
10. No Surprises 3:48
11. Lucky 4:19
12. The Tourist 5:26Disc #2/201. Polyethylene (Parts 1 & 2) 4:23
02. Pearly 3:37
03. A Reminder 3:53
04. Melatonin 2:09
05. Meeting In The Aisle 3:09
06. Lull 2:29
07. Climbing Up The Walls (Zero 7 Mix) 5:19
08. Climbing Up The Walls (Fila Brazilia Mix) 6:25
09. Palo Alto 3:44
10. How I Made My Millions 3:09
11. Airbag (Live In Berlin) 4:49
12. Lucky (Live In Florence) 4:36
13. Climbing Up The Walls (BBC Radio One) 4:20
14. Exit Music For A Film (BBC Radio One) 4:35
15. No Surprises (BBC Radio One) 3:58
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Date: December 11, 2008 7:00:39 AM GMT-05:00Subject: Mobile App Stores - The cost of “Discovery”Source: Cascada MobileAuthor: cascadaSo we’ve been watching the iPhone App store closely of course - 10,000 apps 300 million downloads and counting. We’ve been wondering what the evolution would be, and in a sense it is turning into a subset of the mobile apps space as a whole. Discovery costs.
We’ve always talked about 3 main issues with mobile applications, Porting, Discovery and Distribution. What is it like in Apple’s world?
Porting:
Well - that is easy enough since there is only one iPhone spec to develop against.Distribution:
Apple certainly took care of distribution - getting an app on your iPhone is about as easy as it gets - iTunes.Discovery:
Ah - now the interesting part. How do people become aware of your app? In the long run, think about it this way - if you record a song and put it on iTunes, are you going to get rich? Probably not unless you are already a successful artist. Sure there are a few hits that grow in popularity there, but for the most part, just putting something on iTunes isn’t good enough.You’ve somehow got to get to the top of a list. How do you do this?
- Pay for it (sponsorship - costs money)
- Be popular (that costs money too)
- Get “chosen” as a favourite
- Get blogger coverage or other PR
- Or…
… as this article at fortune points out - you give your app away, or sell it for 99 cents to get popular enough to climb up a top 10 list.The article goes on to say that for iPhone developers and designers, creating an app can cost $80,000 according to Craig Hockenberry’s open letter to Steve Jobs - which may or may not earn a return in iTunes. Now even if that number is a little high - this is driving developers to focus on simple and cheap apps recognizing that people right now are willing to pay much for something as an impulse buy.
This has generated a lot of discussion in particular about what Apple, or developers should do, but in the end when you build something that can only be sold in one store, you are at the mercy of that store and its policies. That is the price you pay to have Porting and Distribution solved for you (at least with Apple anyway). Will the Andriod Market or the Blackberry Application Storefront change this - or just continue to make Porting a headache?
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Subject: Memetic Lexicon
Newsgroups: alt.memetics From: anrwlias@netcom.com (A.X. Lias) Subject: Memetic Lexicon Organization: NETCOM On-line Communication Services (408 261-4700 guest) X-Newsreader: TIN [version 1.2 PL1] Date: Wed, 1 Jun 1994 01:33:49 GMT Found this on the web and thought it might be of interest to those without web access: -- begin included text -- [IMAGE] PRINCIPIA CYBERNETICA WEB (C) ______________________________________________________ Author: Glenn Grant Date: 1990 MEMETIC LEXICON Auto-toxic Dangerous to itself. Highly auto-toxic memes are usually self-limiting because they promote the destruction of their hosts (such as the Jim Jones meme; any military indoctrination meme-complex; any "martyrdom" meme). (GMG) (See exo-toxic.) bait The part of a meme-complex that promises to benefit the host (usually in return for replicating the complex). The bait usually justifies, but does not explicitly urge, the replication of a meme-complex. (Donald Going, quoted by Hofstadter.) Also called the reward co-meme. (In many religions, "Salvation" is the bait, or promised reward; "Spread the Word" is the hook. Other common bait co-memes are "Eternal Bliss", "Security", "Prosperity", "Freedom".) (See hook; threat; infection strategy.) belief-space Since a person can only be infected with and transmit a finite number of memes, there is a limit to their belief space (Henson). Memes evolve in competition for niches in the belief-space of individuals and societies. censorship Any attempt to hinder the spread of a meme by eliminating its vectors. Hence, censorship is analogous to attempts to halt diseases by spraying insecticides. Censorship can never fully kill off an offensive meme, and may actually help to promote the meme's most virulent strain, while killing off milder forms. co-meme A meme which has symbiotically co-evolved with other memes, to form a mutually-assisting meme-complex. Also called a symmeme. (GMG) cult A sociotype of an auto-toxic meme-complex, composed of membots and/or memeoids. (GMG) Characteristics of cults include: self-isolation of the infected group (or at least new recruits); brainwashing by repetitive exposure (inducing dependent mental states); genetic functions discouraged (through celibacy, sterilization, devalued family) in favor of replication (proselytizing); and leader-worship ("personality cult"). (Henson.) dormant Currently without human hosts. The ancient Egyptian hieroglyph system and the Gnostic Gospels are examples of "dead" schemes which lay dormant for millennia in hidden or untranslatable texts, waiting to re-activate themselves by infecting modern archeologists. Some obsolete memes never become entirely dormant, such as Phlogiston theory, which simply mutated from a "belief" into a "quaint historical footnote." earworm "A tune or melody which infects a population rapidly." (Rheingold); a hit song. (Such as: "Don't Worry, Be Happy".) (f. German, ohrwurm=earworm.) exo-toxic Dangerous to others. Highly exo-toxic memes promote the destruction of persons other than their hosts, particularly those who are carriers of rival memes. (Such as: Nazism, the Inquisition, Pol Pot.) (See meme-allergy.) (GMG) hook The part of a meme-complex that urges replication. The hook is often most effective when it is not an explicit statement, but a logical consequence of the memeUs content. (Hofstadter) (See bait, threat.) host A person who has been successfully infected by a meme. See infection, membot, memeoid. ideosphere The realm of memetic evolution, as the biosphere is the realm of biological evolution. The entire memetic ecology. (Hofstadter.) The health of an ideosphere can be measured by its memetic diversity. immuno-depressant Anything that tends to reduce a personUs memetic immunity. Common immuno-depressants are: travel, disorientation, physical and emotional exhaustion, insecurity, emotional shock, loss of home or loved ones, future shock, culture shock, isolation stress, unfamiliar social situations, certain drugs, loneliness, alienation, paranoia, repeated exposure, respect for Authority, escapism, and hypnosis (suspension of critical judgment). Recruiters for cults often target airports and bus terminals because travelers are likely to be subject to a number of these immuno-depressants. (GMG) (See cult.) immuno-meme See vaccime. (GMG) infection 1. Successful encoding of a meme in the memory of a human being. A memetic infection can be either active or inactive. It is inactive if the host does not feel inclined to transmit the meme to other people. An active infection causes the host to want to infect others. Fanatically active hosts are often membots or memeoids. A person who is exposed to a meme but who does not remember it (consciously or otherwise) is not infected. (A host can indeed be unconsciously infected, and even transmit a meme without conscious awareness of the fact. Many societal norms are transmitted this way.) (GMG) 2. Some memeticists have used `infection' as a synonym for `belief' (i.e. only believers are infected, non-believers are not). However, this usage ignores the fact that people often transmit memes they do not "believe in." Songs, jokes, and fantasies are memes which do not rely on "belief" as an infection strategy. infection strategy Any memetic strategy which encourages infection of a host. Jokes encourage infection by being humorous, tunes by evoking various emotions, slogans and catch-phrases by being terse and continuously repeated. Common infection strategies are "Villain vs. victim", "Fear of Death", and "Sense of Community". In a meme-complex, the bait co-meme is often central to the infection strategy. (See replication strategy; mimicry.) (GMG) membot A person whose entire life has become subordinated to the propagation of a meme, robotically and at any opportunity. (Such as many Jehovah's Witnesses, Krishnas, and Scientologists.) Due to internal competition, the most vocal and extreme membots tend to rise to top of their sociotypeUs hierarchy. A self-destructive membot is a memeoid. (GMG) meme (pron. `meem') A contagious information pattern that replicates by parasitically infecting human minds and altering their behavior, causing them to propagate the pattern. (Term coined by Dawkins, by analogy with "gene".) Individual slogans, catch-phrases, melodies, icons, inventions, and fashions are typical memes. An idea or information pattern is not a meme until it causes someone to replicate it, to repeat it to someone else. All transmitted knowledge is memetic. (Wheelis, quoted in Hofstadter.) (See meme-complex). meme-allergy A form of intolerance; a condition which causes a person to react in an unusually extreme manner when exposed to a specific semiotic stimulus, or `meme-allergen.' Exo-toxic meme-complexes typically confer dangerous meme-allergies on their hosts. Often, the actual meme-allergens need not be present, but merely perceived to be present, to trigger a reaction. Common meme-allergies include homophobia, paranoid anti-Communism, and porno phobia. Common forms of meme-allergic reaction are censorship, vandalism, belligerent verbal abuse, and physical violence. (GMG) meme-complex A set of mutually-assisting memes which have co-evolved a symbiotic relationship. Religious and political dogmas, social movements, artistic styles, traditions and customs, chain letters, paradigms, languages, etc. are meme-complexes. Also called an m-plex, or scheme (Hofstadter). Types of co-memes commonly found in a scheme are called the: bait; hook; threat; and vaccime. A successful scheme commonly has certain attributes: wide scope (a paradigm that explains much); opportunity for the carriers to participate and contribute; conviction of its self-evident truth (carries Authority); offers order and a sense of place, helping to stave off the dread of meaninglessness. (Wheelis, quoted by Hofstadter.) memeoid, or memoid A person "whose behavior is so strongly influenced by a [meme] that their own survival becomes inconsequential in their own minds." (Henson) (Such as: Kamikazes, Shiite terrorists, Jim Jones followers, any military personnel). hosts and membots are not necessarily memeoids. (See auto-toxic; exo-toxic.) meme pool The full diversity of memes accessible to a culture or individual. Learning languages and traveling are methods of expanding one's meme pool. memetic Related to memes. memetic drift Accumulated mis-replications; (the rate of) memetic mutation or evolution. Written texts tend to slow the memetic drift of dogmas (Henson). memetic engineer One who consciously devises memes, through meme-splicing and memetic synthesis, with the intent of altering the behavior of others. Writers of manifestos and of commercials are typical memetic engineers. (GMG) memeticist 1. One who studies memetics. 2. A memetic engineer. (GMG) memetics The study of memes and their social effects. memotype 1. The actual information-content of a meme, as distinct from its sociotype. 2. A class of similar memes. (GMG) meta-meme Any meme about memes (such as: "tolerance", "metaphor"). Meta-meme, the The concept of memes, considered as a meme itself. Millennial meme, the Any of several currently-epidemic memes which predict catastrophic events for the year 2000, including the battle of Armageddon, the Rapture, the thousand-year reign of Jesus, etc. The "Imminent New Age" meme is simply a pan-denominational version of this. (Also called the `Endmeme.') mimicry An infection strategy in which a meme attempts to imitate the semiotics of another successful meme. Such as: pseudo-science (Creationism, UFOlogy); pseudo-rebelliousness (Heavy Metal); subversion by forgery (Situationist detournement). (GMG) replication strategy Any memetic strategy used by a meme to encourage its host to repeat the meme to other people. The hook co-meme of a meme-complex. (GMG) retromeme A meme which attempts to splice itself into an existing meme-complex (example: Marxist-Leninists trying to co-opt other sociotypes). (GMG) scheme A meme-complex. (Hofstadter.) sociotype 1. The social expression of a memotype, as the body of an organism is the physical expression (phenotype) of the gene (genotype). Hence, the Protestant Church is one sociotype of the Bible's memotype. 2. A class of similar social organisations. (GMG) threat The part of a meme-complex that encourages adherence and discourages mis-replication. ("Damnation to Hell" is the threat co-meme in many religious schemes.) (See: bait, hook, vaccime.) (Hofstadter) Tolerance A meta-meme which confers resistance to a wide variety of memes (and their sociotypes), without conferring meme-allergies. In its purest form, Tolerance allows its host to be repeatedly exposed to rival memes, even intolerant rivals, without active infection or meme-allergic reaction. Tolerance is a central co-meme in a wide variety of schemes, particularly "liberalism", and "democracy". Without it, a scheme will often become exo-toxic and confer meme-allergies on its hosts. Since schemes compete for finite belief-space, tolerance is not necessarily a virtue, but it has co-evolved in the ideosphere in much the same way as co-operation has evolved in biological ecosystems. (Henson.) vaccime (pron. vak-seem) Any meta-meme which confers resistance or immunity to one or more memes, allowing that person to be exposed without acquiring an active infection. Also called an `immuno-meme.' Common immune-conferring memes are "Faith", "Loyalty", "Skepticism", and "tolerance". (See: meme-allergy.) (GMG.) Every scheme includes a vaccime to protect against rival memes. For instance: + Conservatism: automatically resist all new memes. + Orthodoxy: automatically reject all new memes. + Science: test new memes for theoretical consistency and(where applicable) empirical repeatability; continually re-assess old memes; accept schemes only conditionally, pending future re:-assessment. + Radicalism: embrace one new scheme, reject all others. + Nihilism: reject all schemes, new and old. + New Age: accept all esthetically-appealing memes, new and old, regardless of empirical (or even internal) consistency; reject others. (Note that this one doesn't provide much protection.) + Japanese: adapt (parts of) new schemes to the old ones. vector A medium, method, or vehicle for the transmission of memes. Almost any communication medium can be a memetic vector. (GMG) Villain vs. Victim An infection strategy common to many meme-complexes, placing the potential host in the role of Victim and playing on their insecurity, as in: "the bourgeoisie is oppressing the proletariat" (Hofstadter). Often dangerously toxic to host and society in general. Also known as the "Us-and-Them" strategy. ***** Share-Right (S), 1990, by Glenn Grant, PO Box 36 Station H, Montreal, Quebec, H3C 2K5. (You may reproduce this material, only if your recipients may also reproduce it, you do not change it, and you include this notice [see: threat]. If you publish it, send me a copy, okay?) -- Andrew Lias | anrwlias@netcom.com | Frobozz on IRC *-------------------*-------------------------------*----------------------* Jesus is not my best friend. I have real friends.spanspanspanspan
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