3IS4

Emerging Media Insights and Implications 

Great read on mobile app platforms... if that #$%^ gets you going



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An Amazing Man

(download)

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Simple Solution


>
>Dear Mr. President,
>
>There's about 40 million people over 50 in the work force; pay them $1
>million apiece severance pay with three >stipulations: >
>1) They resign their jobs. Forty million job openings -
>Unemployment fixed. >
>
>2) They buy NEW American cars. Forty million cars ordered -
>Auto Industry fixed. >
>3) They either buy a house or pay off their mortgage-
>Housing Crisis fixed.
>
>
>All National financial problems fixed !!!
>
>Total cost: 1 Trillion dollars. >This is LESS than has been spent already on the "Fix"
>
> >
> >
>

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The Dead Weather [new Jack White] - 2009 Single

Date: March 23, 2009 11:53:10 AM GMT-04:00
Subject: The Dead Weather [new Jack White] - 2009 Single
Source: bolachas grátis.
Author: bolachisgratis

capa
try

trackist:
1. “Hang You from the Heavens” (Mosshart/Fertita) - 3:39  

Hang You From The Heavens by The Dead Weather  
(download)


2. “Are Friends Electric?” (Gary Numan cover) - 4:26 

Are Friends Electric? by The Dead Weather  
(download)

The Dead Weather are a band comprised of
Jack White (The White Stripes / Raconteurs),
Alison Mosshart (The Kills),
Dean Fertita (Queens of the Stone Age) and
Jack Lawrence (Raconteurs / Greenhornes).

The group’s lead single, “Hang You From The Heavens,” rolls by with a harder, snarling guitar, and a grind that offers up the perfect soundtrack for a two-day tequila binge. The song’s b-side is an oddball compared to “Heavens,” for it’s a churning cover of Gary Numan’s “Are Friends Electric?” that is plastered in reverb and sounds a bit like the Raconteurs—had the band been around in the mid-1960s. A full length release called “Horehound” is expected for June.
thedeadweather

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Pink Floyd members as : The Black Knight featuring The Fishermen live in Denmark 08-01-88

 


Pink Floyd members as : The Black Knight featuring The Fishermen live in Denmark 08-01-88

This CD contains a previously unreleased mixer board recording of
the Floyd performing as “The Fishermen” at a night club in Copenhagen
on the early morning of August 1st 1988 (The Floyd played at Gentofte
Stadium in Copenhagen on the evening of July 31). The performing
artists for the night include David Gilmour (who speaks), Rick Wright
(having some difficulties with his Keyboard), Jon Carin, Guy Pratt,
Gary Wallis, Scott Page, Durga McBroom and an unidentified second
singer. We are not sure if it's Margret Taylor or Rachel Fury.
The band performs several R’N’B covers such as “Respect”, “Can’t Get
Enough of Your Love” and “Superstition”. The quality of the tape is
generally in very good condition, with a fair amount of tape hiss,
which we decided not to remove.

Heres a bit of the story:

On the morning of August 1st 1988, several members of the touring
Pink Floyd was invited to a small party at Annabels Night Club (Lille
Kongensgade 16 at Kongens Nytorv, Copenhagen.). This party was
arranged by the Danish branch of EMI, most likely as a Birthday party
for the Floyds personal security manager Barrie Knight. The low-key
“Fishermen” gig was most likely not a planned event. Like so many
times before “The Fishermen” seem to have taken to the stage using
the in-house equipment, in a spur of the moment. The reason I guess
this is because the person at the mixer board spend the first 20
minutes of the show struggling to get the different levels up.
Guitars, vocals and piano (specifically) go up and down to a point
where the otherwise, silent, David Gilmour, barks at the person at
the mixer board.

The set for the evening consist of the “usual” Fishermen set of old
Rhythm and Blues and motown classics, including Aretha Franklins
“Respect” and “Rock Steady” and the unique rendition of Sugarhill
Gangs “Rappers Delight” (First and only time you will hear the Pink
Floyd play rap music).

The tape was bought on Ebay two months ago from a seller claiming to
have gotten the tape from people working for the Danish branch of
EMI. The tape also looks to be the original recording. However we
believe it to be a 1st or 2nd gen recording.

Tracks:

1. Respect
2. Can't Get Enough
3. Blues
4. My Girl
5. Rock Steady - Rapper's Delight - Le Freak - Rock Steady
6. Master Blaster
7. Superstition

Lineage:

1st or 2nd gen cassette tape > Sony TC-K707ES 3 head cassette deck >
Audigy 2 Platinum sound card > Cool Edit Pro.
Audio was normalized and no other enhancements were done.

www.householdobjects.com


Need both files for extraction******

DOWNLOAD PART ONE HERE
DOWNLOAD PART TWO HERE

Best regards,

JK

 

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Bela Fleck - Throw Down Your Heart, Tales from the Acoustic Planet, Vol. 3: Africa Sessions [2009]


Date: March 20, 2009 9:09:55 AM GMT-04:00
Subject: Bela Fleck - Throw Down Your Heart, Tales from the Acoustic Planet, Vol. 3: Africa Sessions [2009]
Source: bolachas grátis.
Author: bolachisgratis

capa
try 1
try 2
listen
look
buy

trackist:
1. Tulinesangala - Bela Fleck with Nakisenyi Women’s Group
2. Kinetsa - Bela Fleck with D’Gary
3. Ah Ndiya - Bela Fleck with Oumou Sangare
4. Kabibi - Bela Fleck with Anania Ngoglia
5. Angelina - Bela Fleck with Luo Cultural Association
6. D’Gary Jam - Bela Fleck with D’Gary, Oumou Sangare and friends
7. Throw Down Your Heart - Bela Fleck with Haruna Samake Trio and Bassekou Kouate
8. Thula Mama - Bela Fleck with Vusi Mahlesela
9. Wairenziante - Bela Fleck with Muwewesu Xylophone Group
10. Buribalal - Bela Fleck with Afel Bocum
11. Zawose - Bela Fleck with Chibite - The Zawose Family
12. Ajula / Mbamba - Bela Fleck with The Jatta Family
13. Pakugyenda Balebauo - Bela Fleck with Warema Masiaga Cha Cha
14. Jesus is the Only Answer - Bela Fleck with Ateso Jazz Band
15. Matitu - Bela Fleck with Khalifan Matitu and Fadhili Bbata
16. Mariam - Bela Fleck with Djelimady Tounkara and Alou Coulibazy
17. Djorolen - Bela Fleck with Oumou Sangare
18. Dunia Haina Wema / Thumb Fun - Bela Fleck with Anania Ngoglia

Four years ago the banjoist Bela Fleck went to Africa with an agenda. He had long been intrigued by his instrument’s ancestral history there; he had also been gripped by the transcendent voice of Oumou Sangare, the queen of Malian Wassoulou music. His journey resembled fieldwork in the sense that he was traveling with a recording engineer and film crew. But he also had his banjo and an urge to bridge musical divides.

Mr. Fleck tends to make that task look easy whether he’s working with his bluegrass- fusion band, the Flecktones, or crossing paths with jazz and classical artists. Traditional African music turns out to suit him beautifully, though some interactions on Throw Down Your Heart, the album inspired by his journey, feel more effortless than others. (An engrossing documentary film of the same name reveals the actual effort involved; it will be screened in San Francisco beginning next week, and in New York next month.)

Two imploring songs with Ms. Sangare and her band, recorded at a studio in Mali, exude a serene professionalism. (On one, “Ah Ndiya,” the kora master Toumani Diabate plays lilting obbligato.) A similar undercurrent runs through one track with the guitarist Afel Bocum, and a handful that Mr. Fleck recorded in the United States with the South African singer- songwriter Vusi Mahlasela and the Madagascan guitarist D’Gary.

But the heart of the album is the field material, which takes many forms.
allaboutjazz

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Radiohead - Reissues

Begin forwarded message:

Date: March 20, 2009 11:01:21 AM GMT-04:00
Subject: Radiohead - Reissues
Source: bolachas grátis.
Author: masterbates

ARTiST: Radiohead
ALBUM: Pablo Honey
BiTRATE: 190kbps avg
QUALiTY: EAC Secure Mode / LAME 3.97 Final / -V2 –vbr-new / 44.100Khz
LABEL: Parlophone
GENRE: Rock
SiZE: 164.65 megs
PLAYTiME: 1h 54min 10sec total
RiP DATE: 2009-03-20
STORE DATE: 2009-03-20

Track List:
——–

Disc #1/2

01. You 3:28
02. Creep 3:55
03. How Do You? 2:12
04. Stop Whispering 5:25
05. Thinking About You 2:41
06. Anyone Can Play Guitar 3:37
07. Ripcord 3:09
08. Vegetable 3:12
09. Prove Yourself 2:25
10. I Can’t 4:13
11. Lurgee 3:07
12. Blow Out 4:42

Disc #2/2

01. Prove Yourself (Demo) 2:33
02. Stupid Car (Demo) 2:25
03. You (Demo) 3:24
04. Thinking About You (Demo) 2:15
05. Inside My Head 3:11
06. Million Dollar Question 3:18
07. Yes I Am 4:25
08. Blow Out (Remix) 4:18
09. Inside My Head (Live) 3:05
10. Creep (Acoustic) 4:18
11. Vegetable (Live) 3:08
12. Killer Cars (Live) 2:14
13. Faithless, The Wonderboy 4:13
14. Coke Babies 2:59
15. Pop Is Dead 2:12
16. Banana Co. (Acoustic) 2:26
17. Ripcord (Live) 3:15
18. Stop Whispering (US Version) 4:11
19. Prove Yourself (BBC Radio One) 2:28
20. Creep (BBC Radio One) 4:02
21. I Can’t (BBC Radio One) 3:55
22. Nothing Touches Me (BBC Radio One) 3:49

Try

ARTiST: Radiohead
ALBUM: The Bends
BiTRATE: 189kbps avg
QUALiTY: EAC Secure Mode / LAME 3.97 Final / -V2 –vbr-new / 44.100Khz
LABEL: Parlophone
GENRE: Rock
SiZE: 174.79 megs
PLAYTiME: 2h 02min 39sec total
RiP DATE: 2009-03-20
STORE DATE: 2009-03-20

Track List:
——–

Disc #1/2

01. Planet Telex 4:19
02. The Bends 4:06
03. High And Dry 4:17
04. Fake Plastic Trees 4:50
05. Bones 3:09
06. (Nice Dream) 3:53
07. Just 3:54
08. My Iron Lung 4:36
09. Bullet Proof… I Wish I Was 3:28
10. Black Star 4:07
11. Sulk 3:43
12. Street Spirit (Fade Out) 4:14

Disc #2/2

01. The Trickster 4:42
02. Punchdrunk Lovesick Singalong 4:41
03. Lozenge Of Love 2:17
04. Lewis (Mistreated) 3:20
05. Permanent Daylight 2:49
06. You Never Wash Up After Yourself 1:44
07. Maquiladora 3:26
08. Killer Cars 3:03
09. India Rubber 3:26
10. How Can You Be Sure? 4:22
11. Fake Plastic Trees (Acoustic) 4:41
12. Bullet Proof… I Wish I Was (Acoustic) 3:35
13. Street Spirit (Acoustic) 4:25
14. Talk Show Host 4:41
15. Bishop’s Robes 3:25
16. Banana Co. 2:21
17. Molasses 2:27
18. Just (BBC Radio One) 3:45
19. Maquiladora (BBC Radio One) 3:30
20. Street Spirit (Fade Out) (BBC Radio One) 4:21
21. Bones (BBC Radio One) 3:02

ARTiST: Radiohead
ALBUM: OK Computer
BiTRATE: 185kbps avg
QUALiTY: EAC Secure Mode / LAME 3.97 Final / -V2 –vbr-new / 44.100Khz
LABEL: Parlophone
GENRE: Rock
SiZE: 159.28 megs
PLAYTiME: 1h 53min 58sec total
RiP DATE: 2009-03-20
STORE DATE: 2009-03-20

Track List:
——–

Disc #1/2:

01. Airbag 4:44
02. Paranoid Android 6:23
03. Subterranean Homesick Alien 4:27
04. Exit Music (For A Film) 4:24
05. Let Down 4:59
06. Karma Police 4:21
07. Fitter Happier 1:57
08. Electioneering 3:50
09. Climbing Up Walls 4:45
10. No Surprises 3:48
11. Lucky 4:19
12. The Tourist 5:26

Disc #2/2

01. Polyethylene (Parts 1 & 2) 4:23
02. Pearly 3:37
03. A Reminder 3:53
04. Melatonin 2:09
05. Meeting In The Aisle 3:09
06. Lull 2:29
07. Climbing Up The Walls (Zero 7 Mix) 5:19
08. Climbing Up The Walls (Fila Brazilia Mix) 6:25
09. Palo Alto 3:44
10. How I Made My Millions 3:09
11. Airbag (Live In Berlin) 4:49
12. Lucky (Live In Florence) 4:36
13. Climbing Up The Walls (BBC Radio One) 4:20
14. Exit Music For A Film (BBC Radio One) 4:35
15. No Surprises (BBC Radio One) 3:58

Try

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Mobile App Stores - The cost of “Discovery”



Begin forwarded message:

Date: December 11, 2008 7:00:39 AM GMT-05:00
Subject: Mobile App Stores - The cost of “Discovery”
Source: Cascada Mobile
Author: cascada

So we’ve been watching the iPhone App store closely of course - 10,000 apps 300 million downloads and counting.  We’ve been wondering what the evolution would be, and in a sense it is turning into a subset of the mobile apps space as a whole.  Discovery costs.

We’ve always talked about 3 main issues with mobile applications, Porting, Discovery and Distribution.  What is it like in Apple’s world?

Porting:
Well - that is easy enough since there is only one iPhone spec to develop against.

Distribution:
Apple certainly took care of distribution - getting an app on your iPhone is about as easy as it gets - iTunes.

Discovery:
Ah - now the interesting part. How do people become aware of your app? In the long run, think about it this way - if you record a song and put it on iTunes, are you going to get rich?  Probably not unless you are already a successful artist.  Sure there are a few hits that grow in popularity there, but for the most part, just putting something on iTunes isn’t good enough.

You’ve somehow got to get to the top of a list. How do you do this?

  • Pay for it (sponsorship - costs money)
  • Be popular (that costs money too)
  • Get “chosen” as a favourite
  • Get blogger coverage or other PR
  • Or…
… as this article at fortune points out - you give your app away, or sell it for 99 cents to get popular enough to climb up a top 10 list.

The article goes on to say that for iPhone developers and designers, creating an app can cost $80,000 according to Craig Hockenberry’s open letter to Steve Jobs - which may or may not earn a return in iTunes.  Now even if that number is a little high - this is driving developers to focus on simple and cheap apps recognizing that people right now are willing to pay much for something as an impulse buy.

This has generated a lot of discussion in particular about what Apple, or developers should do, but in the end when you build something that can only be sold in one store, you are at the mercy of that store and its policies.   That is the price you pay to have Porting and Distribution solved for you (at least with Apple anyway).  Will the Andriod Market or the Blackberry Application Storefront change this - or just continue to make Porting a headache?

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Mobile App Stores - The cost of “Discovery”


a good read



Best regards,

JK

_______________________________________

jordan kay, MBA
president
glucose digital inc.


direct line:  416-888-4422


264 Adelaide Street East, Suite 200
Toronto, ON M5A 1N1 www.glucosedigital.com








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Memetic Lexicon

Subject: Memetic Lexicon

Newsgroups: alt.memetics
From: anrwlias@netcom.com (A.X. Lias)
Subject: Memetic Lexicon
Organization: NETCOM On-line Communication Services (408 261-4700 guest)
X-Newsreader: TIN [version 1.2 PL1]
Date: Wed, 1 Jun 1994 01:33:49 GMT

Found this on the web and thought it might be of interest to those 
without web access:

-- begin included text --


   [IMAGE]
   
  PRINCIPIA CYBERNETICA WEB (C)
  
   ______________________________________________________
   
   Author: Glenn Grant
   
   Date: 1990
   
                               MEMETIC LEXICON
                                       
   Auto-toxic
          Dangerous to itself. Highly auto-toxic memes are usually
          self-limiting because they promote the destruction of their
          hosts (such as the Jim Jones meme; any military indoctrination
          meme-complex; any "martyrdom" meme). (GMG) (See exo-toxic.)
          
          
   bait The part of a meme-complex that promises to benefit the host
          (usually in return for replicating the complex). The bait
          usually justifies, but does not explicitly urge, the
          replication of a meme-complex. (Donald Going, quoted by
          Hofstadter.) Also called the reward co-meme. (In many
          religions, "Salvation" is the bait, or promised reward; "Spread
          the Word" is the hook. Other common bait co-memes are "Eternal
          Bliss", "Security", "Prosperity", "Freedom".) (See hook;
          threat; infection strategy.)
          
   belief-space
          Since a person can only be infected with and transmit a finite
          number of memes, there is a limit to their belief space
          (Henson). Memes evolve in competition for niches in the
          belief-space of individuals and societies.
          
   censorship
          Any attempt to hinder the spread of a meme by eliminating its
          vectors. Hence, censorship is analogous to attempts to halt
          diseases by spraying insecticides. Censorship can never fully
          kill off an offensive meme, and may actually help to promote
          the meme's most virulent strain, while killing off milder
          forms.
          
   co-meme
          A meme which has symbiotically co-evolved with other memes, to
          form a mutually-assisting meme-complex. Also called a symmeme.
          (GMG)
          
   cult A sociotype of an auto-toxic meme-complex, composed of membots
          and/or memeoids. (GMG) Characteristics of cults include:
          self-isolation of the infected group (or at least new
          recruits); brainwashing by repetitive exposure (inducing
          dependent mental states); genetic functions discouraged
          (through celibacy, sterilization, devalued family) in favor of
          replication (proselytizing); and leader-worship ("personality
          cult"). (Henson.)
          
   dormant
          Currently without human hosts. The ancient Egyptian hieroglyph
          system and the Gnostic Gospels are examples of "dead" schemes
          which lay dormant for millennia in hidden or untranslatable
          texts, waiting to re-activate themselves by infecting modern
          archeologists. Some obsolete memes never become entirely
          dormant, such as Phlogiston theory, which simply mutated from a
          "belief" into a "quaint historical footnote."
          
   earworm
          "A tune or melody which infects a population rapidly."
          (Rheingold); a hit song. (Such as: "Don't Worry, Be Happy".)
          (f. German, ohrwurm=earworm.)
          
   exo-toxic
          Dangerous to others. Highly exo-toxic memes promote the
          destruction of persons other than their hosts, particularly
          those who are carriers of rival memes. (Such as: Nazism, the
          Inquisition, Pol Pot.) (See meme-allergy.) (GMG)
          
   hook The part of a meme-complex that urges replication. The hook is
          often most effective when it is not an explicit statement, but
          a logical consequence of the memeUs content. (Hofstadter) (See
          bait, threat.)
          
   host A person who has been successfully infected by a meme. See
          infection, membot, memeoid.
          
   ideosphere
          The realm of memetic evolution, as the biosphere is the realm
          of biological evolution. The entire memetic ecology.
          (Hofstadter.) The health of an ideosphere can be measured by
          its memetic diversity.
          
   immuno-depressant
          Anything that tends to reduce a personUs memetic immunity.
          Common immuno-depressants are: travel, disorientation, physical
          and emotional exhaustion, insecurity, emotional shock, loss of
          home or loved ones, future shock, culture shock, isolation
          stress, unfamiliar social situations, certain drugs,
          loneliness, alienation, paranoia, repeated exposure, respect
          for Authority, escapism, and hypnosis (suspension of critical
          judgment). Recruiters for cults often target airports and bus
          terminals because travelers are likely to be subject to a
          number of these immuno-depressants. (GMG) (See cult.)
          
   immuno-meme
          See vaccime. (GMG)
          
   infection
          1. Successful encoding of a meme in the memory of a human
          being. A memetic infection can be either active or inactive. It
          is inactive if the host does not feel inclined to transmit the
          meme to other people. An active infection causes the host to
          want to infect others. Fanatically active hosts are often
          membots or memeoids. A person who is exposed to a meme but who
          does not remember it (consciously or otherwise) is not
          infected. (A host can indeed be unconsciously infected, and
          even transmit a meme without conscious awareness of the fact.
          Many societal norms are transmitted this way.) (GMG)
          
          2. Some memeticists have used `infection' as a synonym for
          `belief' (i.e. only believers are infected, non-believers are
          not). However, this usage ignores the fact that people often
          transmit memes they do not "believe in." Songs, jokes, and
          fantasies are memes which do not rely on "belief" as an
          infection strategy.
          
   infection strategy
          Any memetic strategy which encourages infection of a host.
          Jokes encourage infection by being humorous, tunes by evoking
          various emotions, slogans and catch-phrases by being terse and
          continuously repeated. Common infection strategies are "Villain
          vs. victim", "Fear of Death", and "Sense of Community". In a
          meme-complex, the bait co-meme is often central to the
          infection strategy. (See replication strategy; mimicry.) (GMG)
          
   membot
          A person whose entire life has become subordinated to the
          propagation of a meme, robotically and at any opportunity.
          (Such as many Jehovah's Witnesses, Krishnas, and
          Scientologists.) Due to internal competition, the most vocal
          and extreme membots tend to rise to top of their sociotypeUs
          hierarchy. A self-destructive membot is a memeoid. (GMG)
          
   meme (pron. `meem') A contagious information pattern that replicates
          by parasitically infecting human minds and altering their
          behavior, causing them to propagate the pattern. (Term coined
          by Dawkins, by analogy with "gene".) Individual slogans,
          catch-phrases, melodies, icons, inventions, and fashions are
          typical memes. An idea or information pattern is not a meme
          until it causes someone to replicate it, to repeat it to
          someone else. All transmitted knowledge is memetic. (Wheelis,
          quoted in Hofstadter.) (See meme-complex).
          
   meme-allergy
          A form of intolerance; a condition which causes a person to
          react in an unusually extreme manner when exposed to a specific
          semiotic stimulus, or `meme-allergen.' Exo-toxic meme-complexes
          typically confer dangerous meme-allergies on their hosts.
          Often, the actual meme-allergens need not be present, but
          merely perceived to be present, to trigger a reaction. Common
          meme-allergies include homophobia, paranoid anti-Communism, and
          porno phobia. Common forms of meme-allergic reaction are
          censorship, vandalism, belligerent verbal abuse, and physical
          violence. (GMG)
          
   meme-complex
          A set of mutually-assisting memes which have co-evolved a
          symbiotic relationship. Religious and political dogmas, social
          movements, artistic styles, traditions and customs, chain
          letters, paradigms, languages, etc. are meme-complexes. Also
          called an m-plex, or scheme (Hofstadter). Types of co-memes
          commonly found in a scheme are called the: bait; hook; threat;
          and vaccime. A successful scheme commonly has certain
          attributes: wide scope (a paradigm that explains much);
          opportunity for the carriers to participate and contribute;
          conviction of its self-evident truth (carries Authority);
          offers order and a sense of place, helping to stave off the
          dread of meaninglessness. (Wheelis, quoted by Hofstadter.)
          
   memeoid, or memoid
          A person "whose behavior is so strongly influenced by a
          
          [meme] that their own survival becomes inconsequential in their
          own minds." (Henson) (Such as: Kamikazes, Shiite terrorists,
          Jim Jones followers, any military personnel). hosts and membots
          are not necessarily memeoids. (See auto-toxic; exo-toxic.)
          
   meme pool
          The full diversity of memes accessible to a culture or
          individual. Learning languages and traveling are methods of
          expanding one's meme pool.
          
   memetic
          Related to memes.
          
   memetic drift
          Accumulated mis-replications; (the rate of) memetic mutation or
          evolution. Written texts tend to slow the memetic drift of
          dogmas (Henson).
          
   memetic engineer
          One who consciously devises memes, through meme-splicing and
          memetic synthesis, with the intent of altering the behavior of
          others. Writers of manifestos and of commercials are typical
          memetic engineers. (GMG)
          
   memeticist
          1. One who studies memetics. 2. A memetic engineer. (GMG)
          
   memetics
          The study of memes and their social effects.
          
   memotype
          1. The actual information-content of a meme, as distinct from
          its sociotype.
          
          2. A class of similar memes. (GMG)
          
   meta-meme
          Any meme about memes (such as: "tolerance", "metaphor").
          
   Meta-meme, the
          The concept of memes, considered as a meme itself.
          
   Millennial meme, the
          Any of several currently-epidemic memes which predict
          catastrophic events for the year 2000, including the battle of
          Armageddon, the Rapture, the thousand-year reign of Jesus, etc.
          The "Imminent New Age" meme is simply a pan-denominational
          version of this. (Also called the `Endmeme.')
          
   mimicry
          An infection strategy in which a meme attempts to imitate the
          semiotics of another successful meme. Such as: pseudo-science
          (Creationism, UFOlogy); pseudo-rebelliousness (Heavy Metal);
          subversion by forgery (Situationist detournement). (GMG)
          
   replication strategy
          Any memetic strategy used by a meme to encourage its host to
          repeat the meme to other people. The hook co-meme of a
          meme-complex. (GMG)
          
   retromeme
          A meme which attempts to splice itself into an existing
          meme-complex (example: Marxist-Leninists trying to co-opt other
          sociotypes). (GMG)
          
   scheme
          A meme-complex. (Hofstadter.)
          
   sociotype
          1. The social expression of a memotype, as the body of an
          organism is the physical expression (phenotype) of the gene
          (genotype). Hence, the Protestant Church is one sociotype of
          the Bible's memotype. 2. A class of similar social
          organisations. (GMG)
          
   threat
          The part of a meme-complex that encourages adherence and
          discourages mis-replication. ("Damnation to Hell" is the threat
          co-meme in many religious schemes.) (See: bait, hook, vaccime.)
          (Hofstadter)
          
   Tolerance
          A meta-meme which confers resistance to a wide variety of memes
          (and their sociotypes), without conferring meme-allergies. In
          its purest form, Tolerance allows its host to be repeatedly
          exposed to rival memes, even intolerant rivals, without active
          infection or meme-allergic reaction. Tolerance is a central
          co-meme in a wide variety of schemes, particularly
          "liberalism", and "democracy". Without it, a scheme will often
          become exo-toxic and confer meme-allergies on its hosts. Since
          schemes compete for finite belief-space, tolerance is not
          necessarily a virtue, but it has co-evolved in the ideosphere
          in much the same way as co-operation has evolved in biological
          ecosystems. (Henson.)
          
   vaccime
          (pron. vak-seem) Any meta-meme which confers resistance or
          immunity to one or more memes, allowing that person to be
          exposed without acquiring an active infection. Also called an
          `immuno-meme.' Common immune-conferring memes are "Faith",
          "Loyalty", "Skepticism", and "tolerance". (See: meme-allergy.)
          (GMG.)
          
          Every scheme includes a vaccime to protect against rival memes.
          For instance:
          
          + Conservatism: automatically resist all new memes.
          + Orthodoxy: automatically reject all new memes.
          + Science: test new memes for theoretical consistency and(where
            applicable) empirical repeatability; continually re-assess
            old memes; accept schemes only conditionally, pending future
            re:-assessment.
          + Radicalism: embrace one new scheme, reject all others.
          + Nihilism: reject all schemes, new and old.
          + New Age: accept all esthetically-appealing memes, new and
            old, regardless of empirical (or even internal) consistency;
            reject others. (Note that this one doesn't provide much
            protection.)
          + Japanese: adapt (parts of) new schemes to the old ones.
            
   vector
          A medium, method, or vehicle for the transmission of memes.
          Almost any communication medium can be a memetic vector. (GMG)
          
   Villain vs. Victim
          An infection strategy common to many meme-complexes, placing
          the potential host in the role of Victim and playing on their
          insecurity, as in: "the bourgeoisie is oppressing the
          proletariat" (Hofstadter). Often dangerously toxic to host and
          society in general. Also known as the "Us-and-Them" strategy.
   
   *****
   
   Share-Right (S), 1990, by Glenn Grant, PO Box 36 Station H, Montreal,
   Quebec, H3C 2K5. (You may reproduce this material, only if your
   recipients may also reproduce it, you do not change it, and you
   include this notice [see: threat]. If you publish it, send me a copy,
   okay?)

-- 
Andrew Lias | anrwlias@netcom.com | Frobozz on IRC
*-------------------*-------------------------------*----------------------*
Jesus is not my best friend.  I have real friends.

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